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Leonardo da Vinci

Historical Figure

Leonardo da Vinci

1452–1519

Italian polymath (1452–1519)

Late Medieval

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Biography

Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and palaeontology. Leonardo is widely regarded as a genius who epitomised the Renaissance humanist ideal, and his collective works contributed to the development of European art to an extent rivalled only by that of his younger contemporary Michelangelo.

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In Their Own Words (5)

3 miglia più in là si trova li edifici della vena del rame e dello argento, presso una terra detta Pra Santo Petro e vene di ferro e cose fantastiche. (Ancient Italian)

3 miles further on are the buildings of the vein of copper and silver, near a land called Prato San Pietro and veins of iron and fantastic things. (paper F.573) , 1478

truovasi di miglio i(n) miglio bone osteriee. (Ancient Italian)

You can find good taverns from mile to mile. , 1478

Painting is poetry which is seen and not heard, and poetry is a painting which is heard but not seen. These two arts, you may call them both either poetry or painting, have here interchanged the senses by which they penetrate to the intellect.

A Treatise on Painting (1651); "The Paragone"; compiled by Francesco Melzi prior to 1542, first published as Trattato della pittura by Raffaelo du Fresne (1651) , 1651

Oysters open completely when the moon is full; and when the crab sees one it throws a piece of stone or seaweed into it and the oyster cannot close again so that it serves the crab for meat. Such is the fate of him who opens his mouth too much and thereby puts himself at the mercy of the listener.

As quoted in The 48 Laws of Power (2000) by Robert Greene, p. 33 , 2000

Of the horse I will say nothing because I know the times.

This relates to a huge equestrian statue that Leonardo had been commissioned to design and create, but which was not cast until over 500 years later, in 1999, when two huge statues based upon his design were finally made. (c.1497) , 1999

Timeline

The story of Leonardo da Vinci, told in moments.

1452 Birth

Born out of wedlock in Vinci, a hill town in Tuscany. His father is a notary. His mother is a peasant named Caterina. Because he is illegitimate, he cannot attend university or join a guild. He is left-handed. He writes backward.

1472 Life

Qualifies as a master in the Guild of Saint Luke in Florence after six years under Andrea del Verrocchio. According to Vasari, Leonardo paints an angel in Verrocchio's Baptism of Christ so well that the master puts down his brush and never paints again. Probably exaggerated. But only slightly.

1482 Life

Moves to Milan and writes a letter to Ludovico Sforza offering his services. The letter lists ten military engineering skills. At the very end, almost as an afterthought, he mentions he can also paint.

1495 Life

Begins painting The Last Supper on a refectory wall in Milan. He experiments with a new technique, painting on dry plaster instead of wet. The colors are richer. The painting starts deteriorating within years. By 1556, Vasari describes it as a "muddle of blots."

1496 Event

Tests a flying machine. It doesn't fly. He fills notebooks with wing designs, gear mechanisms, and observations of bird flight for decades afterward. None of them fly either. The helicopter sketch will wait 450 years for the right engine.

1503 Life

Begins the Mona Lisa. He'll carry it with him for sixteen years, retouching it across Italy and into France. He never considers it finished. The subject is Lisa Gherardini, wife of a Florentine silk merchant. She will become the most famous face in art.

1510 Life

Performs illegal human dissections at the Hospital of Santa Maria Nuova in Florence. He dissects over 30 corpses and produces anatomical drawings that won't be surpassed for 300 years. He works at night, in winter, because the bodies rot slower.

1519 Death

Dies at the Chateau du Clos Luce in Amboise, France, a guest of King Francis I. He is 67. He leaves behind roughly 7,200 pages of notes and drawings. No finished treatise on any subject. The notebooks are scattered across Europe. Many are lost. What survives fills thirteen volumes.

Show full timeline (11 entries)
1490 Life

Begins work on the Vitruvian Man. A naked figure inside a circle and a square. Perfect proportions. He draws it in ink on a single sheet. It becomes the most reproduced drawing in history. He never publishes it.

1911 Event

A Louvre employee named Vincenzo Peruggia walks out the door with the Mona Lisa hidden under his coat. The painting is missing for two years. The theft makes it the most famous painting in the world.

2017 Legacy

Salvator Mundi, attributed to Leonardo, sells at Christie's for .3 million. The most expensive painting ever sold at auction. Some scholars doubt he painted more than a few brushstrokes of it. Others doubt it's even finished.

Artifacts (15)

Child

Pierino da Vinci

15th–16th century · Painted stucco
The Met View

The Rape of Ganymede

Caradosso (Cristoforo Caradosso Foppa)|Leonardo da Vinci

16th century · Bronze, remains of gilding
The Met View

Head of a Man in Profile Facing to the Left

Leonardo da Vinci

1490–94 · Pen and brown ink, over soft black chalk
The Met View

The Head of a Woman in Profile Facing Left

Leonardo da Vinci|Giovanni Antonio Boltraffio

1490–1500 · Silverpoint and leadpoint, highlighted with white gouache, on pale blue-gray (indigo) prepared paper. Media tested by the Department of Scientific Research, The Metropolitan Museum of Art, with x-ray fluorescence spectroscopy (XRF) and fiber optics reflectance spectroscopy (FORS); October 1, 2019.
The Met View

A Bear Walking

Leonardo da Vinci

ca. 1482–85 · silverpoint on light buff prepared paper
The Met View

Head of an old man

Giovanni Antonio da Brescia|Leonardo da Vinci|Andrea Mantegna

ca. 1490–1525 · Engraving
The Met View

The Last Supper, with a Spaniel

Leonardo da Vinci|Giovanni Pietro da Birago

ca. 1500 · Engraving
The Met View

The Head of a Grotesque Man in Profile Facing Right

Leonardo da Vinci

after 1500 · Pen and brown ink, on off-white paper (now darkened)
The Met View

A Grotesque Couple: Old Woman with an Elaborate Headdress and Old Man with Large Ears and Lacking a Chin

Giovanni Francesco Melzi|Leonardo da Vinci

1491/93–1570 · Pen and brown ink
The Met View

Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso)

Leonardo da Vinci

1496 · Pen and brown ink (recto and verso)
The Met View

The Notebooks of Leonardo Da Vinci — Complete

This eBook was produced by Charles Aldarondo and the Distributed Proofreaders team. The Notebooks of Leonardo Da Vinci Volume 1 Translated by Jean Paul...

1452

The Notebooks of Leonardo Da Vinci — Volume 1

This eBook was produced by Charles Aldarondo and the Distributed Proofreaders team. The Notebooks of Leonardo Da Vinci Volume 1 Translated by Jean Paul...

1452

The Notebooks of Leonardo Da Vinci — Volume 2

This eBook was produced by Charles Aldarondo and the Distributed Proofreaders team. The Notebooks of Leonardo Da Vinci Volume 2 Translated by Jean Paul...

1452

Thoughts on Art and Life

THE HUMANISTS' LIBRARY Edited by Lewis Einstein I LEONARDO DA VINCI THOUGHTS ON ART AND LIFE THOUGHTS ON ART AND LIFE BY LEONARDO DA...

1486

A Treatise on Painting

Transcriber's Note: ################### This e-text is based on the 1802 edition. The original spelling has been retained, as well as inconsistencies, such as...

1800

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