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Michelangelo

Historical Figure

Michelangelo

d. 1564

Italian artist and architect (1475–1564)

Renaissance

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Biography

Michelangelo di Lodovico Buonarroti Simoni, known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. He was born in the Republic of Florence but was mostly active in Rome from his 30s onwards. His work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era.

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In Their Own Words (5)

Timeline

The story of Michelangelo, told in moments.

1489 Life

Apprenticed to Domenico Ghirlandaio in Florence. Lorenzo de' Medici notices his talent and invites him to study in the Medici sculpture garden. He is 14. Another student, jealous, punches him and breaks his nose. It stays crooked for the rest of his life.

1498 Event

Commissioned to carve the Pieta for St. Peter's Basilica. He is 23. When it's finished, visitors attribute it to another sculptor. Furious, Michelangelo sneaks in at night and carves his name across the Virgin's sash. It's the only work he ever signed.

1501 Life

Begins work on David. The marble block is 17 feet tall and has been abandoned by two previous sculptors who couldn't handle its shallow depth. Michelangelo works on it for over two years, often sleeping at its base in his clothes.

1504 Event

A committee including Leonardo da Vinci and Sandro Botticelli debates where to place the David. The original plan was a cathedral buttress. They choose the Piazza della Signoria instead. The move takes four days. Forty men haul the 12,000-pound statue through Florence at night.

1505 Event

Pope Julius II commissions a monumental tomb for himself. Michelangelo spends months in the quarries at Carrara selecting marble. The project drags on for 40 years through five reduced contracts. The final version is a fraction of the original design. Michelangelo calls it 'the tragedy of the tomb.'

1508 Life

Pope Julius II orders him to paint the ceiling of the Sistine Chapel. Michelangelo protests. He's a sculptor, not a painter. He writes a poem about the misery of the work: paint dripping in his face, his spine bent like a bow, his beard pointing at the sky. It takes four years. He paints over 300 figures, mostly alone, standing on scaffolding he designed himself.

1512 Event

The Sistine Chapel ceiling is unveiled to the public. More than 5,000 square feet of frescoes. The Creation of Adam, with God's finger nearly touching Adam's, becomes one of the most reproduced images in human history.

1536 Life

Returns to the Sistine Chapel at 61 to paint The Last Judgment on the altar wall. He includes a self-portrait: his own face on the flayed skin held by Saint Bartholomew. Critics demand the nude figures be covered. The drapery is added after his death.

1547 Life

Appointed architect of St. Peter's Basilica at 71. He designs the massive dome that will define the Roman skyline. He refuses any salary. He works on it for the last 17 years of his life, knowing he won't live to see it finished.

1564 Death

Dies in Rome at 88. Three days later, Galileo is born in Pisa. His body is smuggled out of Rome by his nephew and brought to Florence, where it receives a state funeral at the Basilica of Santa Croce. Vasari opens the coffin weeks later and reports the body is perfectly preserved.

Artifacts (13)

Anatomical Studies of a Leg (recto); Study of a Leg (verso)

Michelangelo Buonarroti

1475–1564 · Pen and brown ink, and red chalk (recto); pen and brown ink (verso)
The Met View

A Figure and Some Architectural Details.

Michelangelo Buonarroti

1475–1564 · Pen and brown ink
The Met View

Anatomical Study of a Knee

Michelangelo Buonarroti

1475–1564 · Pen and brown ink
The Met View

The Musicians

Caravaggio (Michelangelo Merisi)

1597 · Oil on canvas
The Met View

The Denial of Saint Peter

Caravaggio (Michelangelo Merisi)

1610 · Oil on canvas
The Met View

Michelangelo Buonarroti (1475–1564)

Daniele da Volterra

probably ca. 1545 · Oil on wood
The Met View

Michelangelo

Albert-Ernest Carrier-Belleuse

modeled before 1883 · Silvered bronze
The Met View

Group from Last Judgment, St. Bartholomew, St. Peter, and other Apostles

Michelangelo Buonarroti|Domenico del Barbiere

n.d. · Engraving
The Met View

Architectural Study

Michelangelo Buonarroti

n.d. · Pen and brown ink
The Met View

Mercury

Michelangelo Buonarroti|Anne Claude Philippe de Tubières, comte de Caylus

n.d. · Etching
The Met View

Two naked men, the sons of Noah, standing in profile facing right, both pointing

Michelangelo Buonarroti|Marcantonio Raimondi

ca. 1500–34 · Engraving; only state
The Met View

Sonnets and madrigals of Michelangelo Buonarroti

TRANSCRIBER’S NOTE Italic text is denoted by _underscores_. Some minor changes to the text are noted at the end of the book. SONNETS AND MADRIGALS ...

1520

The Sonnets of Michael Angelo Buonarroti and Tommaso Campanella; Now for the First Time Translated into Rhymed English

THE SONNETS OF MICHAEL ANGELO BUONARROTI AND TOMMASO CAMPANELLA NOW FOR THE FIRST TIME TRANSLATED INTO RHYMED ENGLISH BY JOHN ADDINGTON SYMONDS AUTHOR OF 'RENAISSANCE IN...

1568

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